Antares Evolution Saddle For Sale
- Fizik Antares Versus Evo R1 Adaptive Saddle - Carbon, Black, 139mm Visit the Fizik Store. 5.0 out of 5 stars 3 ratings.
- Software Downloads. NOTE: If you own a license for an individual AVOX plugin instead of the entire AVOX 4 bundle (for example, only a license for Articulator, Aspire, Choir, Duo, Harmony Engine, Mic Mod, Mutator, Punch, Sybil, Throat, or Warm), download the AVOX 4 installer and perform a custom installation to install the individual plugin.
- Antares Versus Evo R1 Adaptive. (29) Read Reviews. A 3D printed bike saddle with a revolutionary padding with carbon reinforced nylon shell and a highly stiff carbon rail (R1). Antares Versus Evo R1 Adaptive. Be the first to review this product.
THROAT Evo
A 3D printed bike seat with a carbon reinforced nylon shell and a Kium hollow rail with high strength-to-weight ratio grad (R3). Antares Versus Evo R3 Adaptive. Be the first to review this product.
THROAT Evo is a revolutionary vocal tool that lets you process a vocal through a meticulously crafted physical model of the human vocal tract, letting you literally design a new new vocal sound.
While THROAT Evo has been designed to allow subtle modifications to a voice’s vocal quality, the range of the controls also allows the creation of vocal tract models well beyond the limits of physical human anatomy, offering the possibility of vocal characteristics that are simply unattainable by any other means.
Whether to subtly enhance the quality of an existing voice, or to create dramatically unique vocal effects for post production uses, there is simply no other tool as powerful as THROAT Evo.
Antares Evo Vst
PUNCH Evo
PUNCH Evo is a unique processor that, as its name implies, lets you quickly and easily give your vocal more dynamic impact, allowing it to cut through a dense mix with clarity and power.
Combining advanced dynamic processing with an incredibly easy-to-use interface, PUNCH Evo gives professional results while letting you focus on your music.
As Paul White put it in his review of the original PUNCH in Sound On Sound:
'...you can nail the level of a vocal track in a mix without being a compression wizard...If you can't get your vocal to sit in a track using this, it's probably deficient in some other way.'